Viswasam movie review: Ajith saves his family again
Vishwasam Movie Review: Ajit tried to use his charm to see the fact that there is no new story to tell Shiva's direction to the world.
The interval sequence is the most important part of a big commercial movie. No matter how dull and regular the first half was, if the director manages to finish it on a high-voltage note, then it will revive the audience's confidence in the filmmaker.
The interval sequence is the most important part of a big commercial movie. No matter how dull and regular the first half was, if the director manages to finish it on a high-voltage note, then it will revive the audience's confidence in the filmmaker.
This encourages them to return to their seats after a short break, even though they know deeply within their heart that, generally, they will have to suffer sluggish and regular half-hours of regular moments.
Director Shiva could not imagine the sequence of a better interval, promising a better second half. Following the shooting of an action sequence in Mumbai's rain, Thuku Durai (Ajit) tells the whole base of world faith (loyalty) to the bad guy, who is dying for the murder of his daughter Shweta (Bharat Reddy).
The Durai tells the villain (something very tired, played by Jagpati Babu) something like this: You should not play with the man whom his wife dumped, banned him from meeting his daughter and in favor of his daughter Not feeling guilty of not being. And watch him grow up Because if he starts hurting people to express his love for his daughter, even God Himself can not even stop him. This is world-wide in brief.
Shiva has typed every character in the film with a base, which the director has already made maximum in Viram and milk for some other in Vedlam. A happy-lucky person living in a small village. He has gold and steel veins (such cliche). She loves some of the unscrupulous men in her village and she loves elders, children and all the men employed. No, I am not talking about Viramgam's Vinayagam. Now, he goes by the name of Thuku Durai. She meets a beautiful girl who is rich, sensitive and educated. He visits his village for professional reasons. Again, his name is not Kopapuram Devi. In this film, it is called Niranjana (Nayantara).
Niranjana presents us as a doctor, who is visiting the villages providing medical services. After a song and a few scenes, she asks him to marry her in a ruthless manner. She also extops the opportunity to pursue further studies at Stanford University, when she learns she is pregnant (so special) Later, we never knew what happened to his career. Never mention it again in the movie. In the second half, we know him as an ambitious and nonsense businessman. Continuation, go to hell.
The director does not care about anything until he or she reaches the finish line somehow. From one song to the family's sense of view, one hoists for a fight scene and a song. he repeats. Shiva makes the audience stand on the never-ending loop of one-dimensional characters.
Durai comes to Mumbai, at the right time, when his teenage daughter Shweta comes in an attack. He saves his life, obviously. It grows closer to it, it is obvious again. The main tension in the conspiracy is whether the Niranjana changes the heart after the husband's love for his family. I wonder what the director was thinking? Did he think he could cause some obvious tension? Did not anyone tell him whether repeat and niranjana reunion does not actually give an emotional thread to the audience which they could catch till the end. I mean, it has happened every 100 years of Indian cinema only in all the 'family entertainment'.
Ajit tried to use his charm to see the fact that there is no new story to tell the film. But, we have seen him doing it again and again on Shiva's watch. Despite his stardom, he can do so much to sell a movie full of redundant feelings and narrative techniques. Genius star cast like Nayantara, Thambi Durai, Robo Shankar, Kovai Sarala has all been ruined.
The Durai tells the villain (something very tired, played by Jagpati Babu) something like this: You should not play with the man whom his wife dumped, banned him from meeting his daughter and in favor of his daughter Not feeling guilty of not being. And watch him grow up Because if he starts hurting people to express his love for his daughter, even God Himself can not even stop him. This is world-wide in brief.
Shiva has typed every character in the film with a base, which the director has already made maximum in Viram and milk for some other in Vedlam. A happy-lucky person living in a small village. He has gold and steel veins (such cliche). She loves some of the unscrupulous men in her village and she loves elders, children and all the men employed. No, I am not talking about Viramgam's Vinayagam. Now, he goes by the name of Thuku Durai. She meets a beautiful girl who is rich, sensitive and educated. He visits his village for professional reasons. Again, his name is not Kopapuram Devi. In this film, it is called Niranjana (Nayantara).
Niranjana presents us as a doctor, who is visiting the villages providing medical services. After a song and a few scenes, she asks him to marry her in a ruthless manner. She also extops the opportunity to pursue further studies at Stanford University, when she learns she is pregnant (so special) Later, we never knew what happened to his career. Never mention it again in the movie. In the second half, we know him as an ambitious and nonsense businessman. Continuation, go to hell.
The director does not care about anything until he or she reaches the finish line somehow. From one song to the family's sense of view, one hoists for a fight scene and a song. he repeats. Shiva makes the audience stand on the never-ending loop of one-dimensional characters.
Durai comes to Mumbai, at the right time, when his teenage daughter Shweta comes in an attack. He saves his life, obviously. It grows closer to it, it is obvious again. The main tension in the conspiracy is whether the Niranjana changes the heart after the husband's love for his family. I wonder what the director was thinking? Did he think he could cause some obvious tension? Did not anyone tell him whether repeat and niranjana reunion does not actually give an emotional thread to the audience which they could catch till the end. I mean, it has happened every 100 years of Indian cinema only in all the 'family entertainment'.
Ajit tried to use his charm to see the fact that there is no new story to tell the film. But, we have seen him doing it again and again on Shiva's watch. Despite his stardom, he can do so much to sell a movie full of redundant feelings and narrative techniques. Genius star cast like Nayantara, Thambi Durai, Robo Shankar, Kovai Sarala has all been ruined.
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